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webpage on Pencil Drawing Idea. In this webpage,
I've collected some good articles from various authors. There are lots
of tips and techniques for you to learn from these authors. I highly
recommend you to read their articles that I quoted here. There's no
need for you to wondering around to find good quality articles because
I only select the very best articles to be in this webpage. Here are
some of them...
Enjoy...
To
some people, drawing gives them the feeling of expression.
They
are able to best convey their emotions. To some, it is a hobby
that they can’t do without.
Unfortunately, not all of us
are
blessed with the talent but still want to learn the craft anyway.
But whatever your reason is, it is always best to invest on
drawing supplies that will last long and will ultimately
bring
out the best in your drawings.
- Article
No. 1:
- Article
No. 2:
- Article
No. 3:
Drawing
Supplies
Pencil drawing
article No. 1: Why pencil drawing is an essential skill
by Darren Chow
Many artists have struggled with pencil drawing
and have not really
gotten good at it. They then move on to paint with colors, and when
they find that they face the same basic drawing problems, they choose
to ignore them and make up some excuse so that they can avoid having to
face those problems.
If you're facing the same problems, my advice to
you is to meet those
problems head on and overcome them once and for all. Artists who refuse
to face and tackle drawing problems head on can only do so much. Their
growth is stunted, and their drawing skills will not improve. Over
time, their skills will be overtaken by those who took the trouble to
examine the problems and actually solve them.
Once the drawing problems are solved, it's then a
question of
consciously choosing how you want to draw. For example, many artists
cannot draw realistic pictures using pencil. When the drawing didn't
turn out the way they wanted it to, they say it's abstract art, or
they're trying to symbolise the subjects. But we all know the truth.
There are times when drawing a realistic picture is much better than
symbolic drawing, so we can't run away forever. Sooner or later, we're
going to come face to face with the same set of problems.
And you know what? If we can't overcome these
obstacles, we'll have to
face them again and again. That's the universe way of testing us.
But the good news is, once you undersand the basic
problems of pencil
drawing, you'll learn that they're not that difficult to overcome. And
if you can learn to overcome these problems, you'll also find it easier
to overcome problems associated with color, since the problems are
similar in nature.
The number one problem to pencil drawing is
control. Artists can't draw
what they want to draw because they don't know how to control the
drawing tools properly. But how difficult can it be to control a
pencil? It's easy if you know how.
For instance, you can vary the pressure of the
pencil to shade with a
whole range of different tones. You can choose to work with a blunt or
sharp pencil, or decide to hold the pencil differently. These are all
techniques related to pencil drawing.
So don't jump the gun, be patient, and learn to
draw well with pencils
before moving on. After all, part of drawing is about problem solving,
and if you can't solve your pencil problems, you won't be able to solve
your painting problems. That's why pencil drawing is an essential skill
to acquire.
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Pencil
drawing article No. 2: How to choose good pencil drawing tutorials
by Darren Chow
Good drawing tutorials and drawing materials are hard to
come by.
If you've been looking around on the Internet for some good drawing
materials, I'm afraid you'll have to spend lots of time to come across
some good ones.
The problem with finding good drawing tutorials is
that it can be time
consuming to come up with good quality drawing materials.
For instance, writing a set of drawing lessons
involve hours and hours
of pre-planning and organization. The author will then have to spend
time going back again and again to re-organize, rewrite or redraw the
illustrations in the drawing lessons until all the nitty gritty details
have been ironed out.
Due to this time consuming process, many authors
take "short cuts" when
creating drawing materials. They create just one illustration, and
think they're done with it. They write the instructions just once, and
think that it's completed. But we all know, that's far from completing
a set of quality drawing lessons.
When we spend a little time to think about why
some authors would do
that, it all boils down to the dollar sign. Many free resources that
you'll find on the Internet are put out for one simple reason: to make
a quick buck off some advertisements.
I know that sounds a little bit harsh but it's the
truth. Make a search
for the free drawing materials on the Internet and you'll find lots of
proof of what I'm talking about.
If the goal, right from Day 1, is not to create
materials that'll
really help others improve their drawing skills, the focus is already
wrong right from the very beginning. These authors choose to focus on
the short term dollar sign rather than focus on creating quality
content. When the focus is wrong, the end result is predictable. Crappy
materials get churned out.
Also, from the reader's point of view, note that
when the website
becomes unprofitable for the author to continue creating content, the
site is going down the drain. That's because the author will not
continue investing valuable time working on a website that's now
becoming a burden.
So if you come across a website with quality
drawing lessons, be sure
to support the site. When a drawing website becomes profitable for the
author, more quality content will follow.
But I digressed a little. The whole point of this
article is to help
you choose quality drawing materials. To do that, you need to be able
to tell difference between quality and crappy drawing materials. Here
are some tips.
When choosing quality materials, the first thing
to check for is the
end result. Always look for sample drawings. If the sample looks really
good, chances are the author knows what he or she is talking about.
After all, we now can establish the fact that the author holds the key
to whatever drawing problems we may be facing.
Also, look for hints of amount of work done when
developing the
product. For example, has the work been proof read? Have it gone
through stringent quality checks? What has been done to collect
feedback?
Finally, it's very important for the reader to
look out for little
tell-tale signs of the authors ability to deliver good training
materials. All good trainers know how to communicate effectively to
ensure that the message gets across.
For instance, does the author know when to insert
key messages in the
content? The time to do this is when the author has got the reader's
attention. You can tell how good an author is just by reading some
sample paragraphs.
The above information will help you make a better
decision when it
comes to choosing high quality drawing lessons. Good luck in your seach!
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About the
Author
Darren Chow is the founder
and developer of MyArtPassion.com, an online website that offers free
drawing lessons, home study courses, and other drawing related
resources.
For more free resources like the one you've just read, please visit MyArtPassion.com
for free online drawing lessons.
Pencil drawing
article No. 3: Must Knows in How to Hold A Pencil When Drawing and
Sketching
by Tod Harris
When learning to draw, sometimes it's difficult to
know what
techniques are available to artists, which ones you should use, and
which ones you should not use. How to hold a pencil seems to be trivial
in nature but can make a huge difference in your drawings and sketches.
In this article you will learn a few different
ways
to hold the
pencil and how to adopt them into your drawing practices. This is
important because most people don't realize that there are more ways
than one to grip a pencil when drawing and sketching. They generally
pick it up like they were taught in school for writing. But writing and
drawing are a lot different. So the way you hold your pencil should be
different as well. A lot of problems such as hatched lines and
unsteadiness originate from holding the pencil incorrectly.
The
first grip is the basic tripod grip. It is the technique
that they teach young children in school. It's probably the same one
that you use for writing. You grip the pencil with the thumb,
forefinger, and middle finger to form a tripod or triangle. This tripod
is usually supported by your ring finger and pinky fingers. The grip
allows the pencil to be controlled when making fine strokes and is
great when applying fine details.
The fingers are
in control of the pencil when using the tripod
grip. It's also nice when doing the finer details because your hand can
rest on the page as it lays these in.
Sometimes
smudging can be a problem, but no fear, just lay down a sheet of paper
to keep your drawing free from the smudges.
The
problems of this grip are that it is a frustrating way to
draw. A flowing line is impossible to do this way, your hatching and
cross-hatching isn't done correctly and the lines become curved, the
pencil pressure is off, and it's not the most comfortable.
The
position that is closely related to this position is
called the extended tripod grip. It is essentially the same as the
basic tripod grip with the exception that the tripod is formed further
up on the pencil. This benefits the artist because only a small
movement of the fingers can produce greater movement of the pencil tip.
One thing to remember with this is to not squeeze it too tightly.
The
technique that a lot of artists use is called the overhand
grip. This grip is where the pencil is held almost as if you were
holding a bow for a violin. Your hand goes over the pencil and is held
lightly against the fingers and the flat of your thumb.
This
overhand grip is ideal for sketching with the side of the
pencil and is the preferred grip among artists. It doesn't need a
propped arm and the limitations are only your arm span. Not nearly as
many limitations as the other grips have.
This
overhand grip produces flowing, sweeping lines and is
great for sketching, hatching, cross-hatching, value work, with the
side of the lead. It is a huge preference for academic drawing. It's
great when using a drawing surface such as an easel. One common rule in
whichever grip you choose to use and whatever works for you is to
never, ever choke the pencil tip. This is never a good thing to do for
artists.
Just remember to use a grip that you are
comfortable. There
are many variations of these grips and do what you are comfortable with
and you will see your drawings come alive.
About the Author
Todd
Harris is a master artist who
is currently working as a concept art director for a multi-billion
dollar corporation. He is trained in the Florence Academy Method.
Learning2draw.com is a resource based website devoted to aspiring
artists wishing to master figure drawing. Visit http://www.learning2draw.com to get
tips, tricks, and techniques to master the human form.
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